I, Sarah Steinway
  Finalist Debut Novel Category - 2018 National Jewish Book Awards
  Sarah is an antihero for our age: a seventy-five-year-old woman, armed with her own 
  chutzpah and wit, a cowboy hat, a rabbinical ordination, and a shotgun that she’s still 
  figuring out how to use. The novel is set in the near future, in which a global flood is steadily 
  devouring the houses and Costcos of the world, but I, Sarah Steinway has a sensibility and 
  an immediacy that grounds us and grips us from the opening scene. Sarah wrestles with both 
  her physical and spiritual survival. As a self-identified secular Jew faced with an apocalypse 
  of biblical proportions, she turns to religion — not necessarily for answers, but for survival 
  tactics. This book, and its protagonist, are never afraid of confronting the Big Questions, nor 
  content to settle with easy answers. The storytelling is by turns very funny and very serious, 
  confident and uncompromisingly weird. Mary E. Carter has a voice with unquestionable 
  power, and we look forward to reading more from her. —Judges’ Remarks
  —Review from Jewish Book Council—
  By Inger SaphireBernstein
  – April 9, 2019
  Sarah Steinway, seventy five years old, is a survivor of the catastrophic Emperor Floods that 
  covered the Pacific coast cities and erased the boundaries of the San Francisco Bay, leaving 
  no dry shore until New Mexico. With a manual typewriter, in her treehouse perch above the 
  black waters of the former San Francisco Bay, she describes her experiences for future 
  readers (if there are any). She writes of death, beauty, and savagery (there is an 
  unforgettable scene of a vicious battle between shorebirds). She meets several interesting 
  survivors who arrive at her treehouse, including two rabbis. And she starts to think about 
  God and turns to the Torah.
  As with most dystopian novels, the reader is anxious to know the cause of the killing 
  catastrophe. Apparently, at first, the water level increases of an inch or two every other week 
  were barely noticed. The people were told it was ‘fake news’ and that reports of rising waters 
  were false, going against visual evidence; most people complied. Periodic high tides and 
  flooding suddenly became the Emperor Floods that drowned all before it and never receded.
  This is a very Jewish novel. Sarah provides midrashim (commentary) on the Torah. We are 
  treated to an interview with Noah’s wife, an explanation as to why Pharaoh’s daughter drew 
  Moses out of the Nile, and a return to Noah and God’s promise to never again flood the 
  world. Quotes from Pirkei Avot head each chapter. Aside from these formal efforts, Jewish 
  references crop up frequently. Sarah writes lovingly about her husband Daniel, her bashert. 
  She recognizes a congruence with Sarah in the Torah, who laughed when told she would give 
  birth at ninety, while Sarah Steinway births a treehouse at seventy-five. And Sarah Steinway 
  says she will not be edited out, like Noah’s wife and Sarah. Oddly, many of the people Sarah 
  meets before and during the flood are Jewish; drowned Marin County might be a shtetl given 
  its density of Jews.
  One element in the novel is particularly perplexing. Sarah has several opportunities to go to 
  higher ground in New Mexico – to “choose life” rather than bear survival. She chooses to 
  remain in her treehouse, close to her greatest love, her Taliesin house, designed by a student 
  of Frank Lloyd Wright. Her love for the house is woven into her love for her late husband, 
  Daniel. In the Acknowledgements, Mary Carter describes the novel as a love letter to her 
  Taliesin home. Proximity to a drowned house seems like a poor trade-off for years of solitude 
  and deprivation above a catastrophic flood. Perhaps one has to love a house deeply to 
  understand.
  Inger Saphire-Bernstein is a health policy professional with extensive experience across 
  multiple health care delivery settings and the insurance industry. She has published a 
  number of articles and papers in the health policy field.